As we continue now with our study of the biblical covenants in our first session, I mention to you that the basic role of the covenant is that it is the structure of God's revelation in history. Sproul's series, The Promise Keeper, The God of the Covenants. We're glad you joined us today for Renewing Your Mind as we continue Dr. God's fulfillment of covenants is critical to the message of both the Old and New Testaments. His covenant with Moses brings about the law, and the new covenant through Jesus brings salvation to all who believe. His covenant with Abraham, for example, establishes the nation of Israel. When Paul announces the gospel in his letters or the preachings in the book of Acts, they talk about how Jesus was born according to the Scriptures in the fullness of time, that God had prepared that throughout all of history.Įverything in Old Testament history before the birth of Christ was moving towards that moment. Project funded by TEA Tenerife Arts Space An Other History 2018 Project done in collaboration with archaeologist and performer Efthimis Theou View of the exhibition ‘La tierra tiembla’, curated by Raquel G.When God makes a promise, He fulfills it, and He does so in real time and space. Ray Bradbury, in “The Martian Chronicles” «We won't ruin Mars, we won't ruin Mars» said the Captain. And then we will get mad at it, and you know what we'll do? We'll rip it up, rip the skin off, and change it to fit ourselves. No matter how we touch Mars, we'll never touch it. The names we'll give to the canals and cities will fall like so much water on the back of a duck. And somehow the mountains will never sound right to us we'll give them new names, but the old names are there, somewhere in time, and the mountains were shaped and seen under those names. And we'll never be able to use them without feeling uncomfortable. ![]() All the things which had used.Īll the mountains which had names. Ibáñez for Area 60, TEA Tenerife. © Adrián GonzálezĪsk me then, if I believe in the spirit of the things as they are used, and I'll say yes. View of the exhibition 'La tierra tiembla', curated by Raquel G. Nevertheless, although tangling with the historical relativism, another angle seems to overlap in this same "oeuvre" - the one brought by strength and repetition of gestures and words, within the temporal distance, attesting the survival of memory, despite the new names and meanings. ![]() The project results from the collaboration with the archaeologist and performer Efthimis Theou, having as a starting point the excavation of Katalymata (Gavdos, Greece), working, simultaneously, as a prelude and reservoir of all possible narratives and formulations. Taking all these matters into account, Mejías' artmaking process borrows the eye from the archaeologist and the historian. Thus, between the underlying subjectivity and the inevitability of filling the gaps, a correspondence with contemporary creative processes appears. Accordingly, subjects such as the historical legacy and the knowledge perpetuation are brought to certain reinterpretation and ensuing resignification. By underscoring the historical relativism, the relationship between memory and imaginary becomes explicit. "An Other History" is a branch of Cristina Mejías' artistic investigation, in which the historical narrative and the very fragilities of its construction are observed. Project done in collaboration with Archaeologist and Performer Efthimis Theou. Audio voices by Efthimis Theou and Elektra Angelopoulou". ![]() Video-installation, 2 channels of video on rear screen projections, audio, ceramic, glass, aluminium, 19’ 07’’.
0 Comments
Leave a Reply. |